Colour Manipulation
GRAINGrain Problems when Colour Correcting www.fxguide.com thread You can Colour correct everything, to some degree but then it gets apparent and difficult to manage. First off what would be great if you got your 2K footage in Log full 10 or 12 bit scanned. That will give you extra space to work with. Then maybe try and do grain removal First on just blue channel (usually the most grainy) and try with that or on all of the channels and then CC. Do all of the corrections while in 16 or 32 bit mode so you get most out of fusions algorithms. Try masking areas of interest and do colour corrections in areas and then combine them together so you are not working on whole picture at one time. by kristijan(2002) Printer lights, F-stops & PointsFusion Pigsfly Email List Light trim is similar to "printer lights", " printer points" or "transfer points" in a film lab. According to Kodak: One stop is equal to about 7 printer points or 7 transfer points or 7 trims. - But it is generally accepted that there are 8 points to a Fstop in the UK but only 6 points in the US I did a few tests and this is what i came up with: How to check what a point is, in log space(every house has a slightly different log/lin curve) using a mult/brightness node:
How to check what a point is in linear space using a mult/brightness node:
So roughly 1 stop for 7 trims by dfx (2005) From MathewK on Davinci There are 8 points to a Fstop in the UK but only 6 points in the US In Fusion(in log) the Brightness of a UK point = 0.012 / US point = 0.015 External Links
|
External Links
|
||||||||||||||||||||||||||||||||||